Elliott carter: sonata

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COMPOSER ELLIOTT CARTER (December 11, 1908 - November 5, 2012) is internationally recognized as one of the most influential American voices in classical music, and a leading figure of modernism in the 20th and 21st centuries. He was hailed as “America’s great musical poet” by Andrew Porter and noted as “one of America’s most distinguished creative artists in any field” by his friend Aaron Copland. Carter’s prolific career spanned over 75 years, with more than 150 pieces, ranging from chamber music to orchestral works to opera, often marked with a sense of wit and humor. He received numerous honors and accolades, including the Pulitzer Prize on two occasions: in 1960 for his String Quartet No. 2 and in 1973 for his String Quartet No. 3. Other awards include Germany’s Ernst Von Siemens Music Prize and the Prince Pierre Foundation Music Award. Carter was the first composer to receive the United States National Medal of Arts, and is one of a handful of composers inducted into the American Classical Music Hall of Fame. He was recognized twice by the Government of France: being

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Elliott Carter

American composer (1908–2012)

Elliott Cook Carter Jr. (December 11, 1908 – November 5, 2012) was an American modernist composer who was one of the most respected composers of the second half of the 20th century. He combined elements of European modernism and American "ultra-modernism" into a distinctive style with a personal harmonic and rhythmic language, after an early neoclassical phase.^[1]^[2]^[3]^[4] His compositions are performed throughout the world, and include orchestral, chamber music, solo instrumental, and vocal works. Carter was the recipient of many awards – he was twice awarded the Pulitzer Prize for his string quartets. He also wrote the large-scale orchestral triptychSymphonia: sum fluxae pretium spei.

Carter was born in New York City. He developed an interest in modern music in the 1920s. He was later introduced to Charles Ives, and he soon came to appreciate the American ultra-modernists. After studying at Harvard University with Edward Burlingame Hill, Gustav Holst and Walter Piston, he studied

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Elliott Carter Studies Online is an online journal devoted to the music, life, and times of the American composer Elliott Carter (1908-2012). We welcome submissions on a wide range of topics; there are no restrictions on disciplinary perspective or format. We publish history, theory, performance practice, personal essays, aesthetics, biography, criticism, analysis, and media.

Current Issue: Volume 4 (2021)

We encourage performers, composers, musicologists, historians, theorists, and âfriends of Elliottâ to submit full-length articles for anonymous peer review, as well as short essays and notes, commentary, analytical vignettes, oral history, reviews, and media. Submissions may be specifically about Elliott Carter and his music or may focus on broader topics of relevance to Carter Studies, such as music and politics, music and philosophy, music and poetry, theoretical work that bears on Carter's music, etc. Submissions may include hyperlinks, audio, video, animation, photographs, etc., provided they have been cleared for use by the copyright holder.

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