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John Cassini Biography

Birth Place:
Toronto, Ontario, Canada

Biography

John Cassini was an actor who had a successful Hollywood career. Cassini's earliest roles were in film, including the drama "Cafe Romeo" (1992) with Catherine Mary Stewart, the Viveca Lindfors dramatic comedy "North of Pittsburgh" (1993) and the Ethan Hawke dramatic adventure "Alive" (1993). He also appeared in the Ally Sheedy sci-fi feature "Man's Best Friend" (1993), the Morgan Freeman hit crime flick "Seven" (1995) and "Female Perversions" (1997). His film career continued throughout the nineties and the early 2000s in productions like the Michael Douglas mystery thriller "The Game" (1997), the drama "The Falling" (1998) with Christopher Shyer and "Chain of Fools" (2000) with Steve Zahn. Recently, he tackled roles in the action flick "Catwoman" (2004) with Halle Berry, "The Whole Shebang" (2005) with Stanley Tucci and "Break a Leg" (2006). He also appeared in "Vice" (2008) and the adaptation "The Possession" (2012) with Jeffrey Dean Morgan. Most recently, Cassini acted in the Olunike Adeliyi cri

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John Cassini

In addition to a busy, award-winning acting career, John is also a TV and film producer and one of Canada’s most sought after acting coaches. He is a lifetime member of the renowned Actors Studio in NYC/LA and is the Artistic Director and co- founder of Railtown Actors Studio in Vancouver.

John’s film credits include Disney’s Alive, David Fincher’s Seven and The Game, Sony’s A Dog’s Way Home, and the black comedy Break A Leg which he also co-wrote and produced (Best Actor at the Marco Island Film Festival). Some of John’s television credits include lead roles in the series Robson Arms (CTV), in which he won a Leo Award for Best Actor, and the critically acclaimed drama Intelligence (CBC) currently on Netflix, for which he received a Gemini Award nomination. John was a co-founder of 3rd Street Theatre in Los Angeles and performed in several of their productions including David Mamet’s Edmond, Sam Shepard’s Geography of a Horse Dreamer, and Harold Pinter’s One for the Road. In Canada, some of John’s theatre credits include, Rabbit Hole (Arts Club), God of Carnage (Roy

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It was a high school teacher who would help Cassini find his way. “I was pretty fast, and this incredible track coach saw me in gym class, and he said, ‘You should come out for the track team,’ and I did, and I just felt right at home,” says Cassini. He found the community he needed in the culturally diverse team, filled with the children of immigrants from all over the world. His self-esteem grew, and he “worked my ass off. I stopped hanging around with the neighbourhood peeps, stopped doing any kind of drinking, stopped doing any kind of smoking, and it really changed my life. I started to fall in love with the high of sports.”

Cassini’s hard work led to a track and field scholarship at Simon Fraser University, and the first thing he did when he arrived on the campus was head over to the theatre department. “Something was inside me that knew I wanted to pursue this,” he recalls. The acting classes were purportedly full, but he marched up to the head of the drama department and asked to join anyway. “He looked at me and said, ‘What makes you think you want to be an actor?’ And w